I will deviate again from my on-going complaints about the City and just record some memories that came to me from The Guardian's Birthdays column. Like many, my reaction to most names in the daily list is either "Who is he/she?" or " God, is he/she still alive?" On Friday I had a bit of this when I discovered that former BBC commentator and Panorama presenter Max Robertson was still going at 94. I can remember him from the early 1950s in the days of magnificently moustached Raymond Glendenning, when everyone from the BBC sounded as though they had been personally coached by Lord Reith. Max Robertson commentated on most sports on radio with his sometimes excitable upper-class voice. But, for the most part, he was very professional. Very definitely, in his own way, in the Richard Dimbleby tradition.
Another man who appeared in the Birthdays list on Friday was John Shirley-Quirk - now aged 78. He was [is?] a fine bass/baritone whom I had the pleasure of hearing when he was at the start of his career. This was in Gloucester Cathedral in 1962. The young baritone was in Elijah, that most tuneful of all oratorios. I have to say that until that day I knew little of this great work of Queen Victoria's favourite composer; I had lead a sheltered life. I enjoyed it immensely not least because of the superb rendition of Elijah by John Shirley-Quirk. Since then I have never again heard him in live performance but I do have a number of his records. One of the best is one of Vaughan Williams songs, which seem to be particularly suited to his voice. If my memory serves me correctly, the orchestra on that occasion in Gloucester was the City of Birmingham Symphony Orchestra in pre-Simon Rattle days, and the conductor was the newly appointed organist from Worcester Cathedral, Christopher Robinson.
Another great privilege at that Three Choirs Festival was seeing Sir Adrian Boult rehearsing the orchestra with Elgar's 1st Symphony and then attending the concert for its performance the same evening. It was quite something to hear Sir Adrian giving advice to the orchestra on performance details that came from his own discussions with Elgar himself.
That was my last visit to the Three Choirs Festival having "done" Worcester and Hereford in preceding years. All my visits were with my old friend from Leeds University, Keith Mills, who lived in Cheltenham in those days, with his mother. I have always promised my self that i would return to the Three Choirs one day, because it is such a wonderful experience and is one of the most English of music festivals; so much associated with those two stalwarts of the early 20th century in English music, Ralph Vaughan Williams and Edward Elgar.
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